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Lot #1933: JULES PASCIN [imputee] - Nu - Original pen and ink drawing



Lot #1933: JULES PASCIN [imputee] - Nu - Original pen and ink drawing

  Lot #1933: JULES PASCIN [imputee] - Nu - Original pen and ink drawing   Lot #1933: JULES PASCIN [imputee] - Nu - Original pen and ink drawing   Lot #1933: JULES PASCIN [imputee] - Nu - Original pen and ink drawing


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Artist: Jules Pascin [imputee] (Bulgarian/French, 1885-1930).
Title: "Nu".
Medium: Original pen and ink drawing.
Date: Composed 1920s.
Dimensions: Overall size: 9 3/16 x 7 1/8 in. (233 x 181 mm). Image size: 9 x 7 in. (229 x 178 mm).
Lot Note(s): Signed lower left. Light cream wove paper. Condition: creasing, minor losses, discoloration; all in all, not too bad, maybe like Pascin's life. Comment(s): During the 1920s, Pascin mostly painted fragile petites filles, prostitutes waiting for clients, or models waiting for the sitting to end. His fleetingly rendered paintings sold readily, but the money he made was quickly spent. Famous as the host of numerous large parties in his flat, whenever he was invited elsewhere for dinner, he arrived with as many bottles of wine as he could carry. According to his biographer, Georges Charensol, "Scarcely had he chosen his table at the Dôme or the Sélect than he would be surrounded by five or six friends; at nine o'clock, when we got up to dinner, we would be 20 in all, and later in the evening, when we decided to go up to Montmartre to Charlotte Gardelle's or the Princess Marfa's—where Pascin loved to take the place of the drummer in the jazz band—he had to provide for 10 taxis." He struggled with depression and alcoholism. "[D]riven to the wall by his own legend", according to art critic Gaston Diehl, he committed suicide at the age of 45 on the eve of a prestigious solo show. He slit his wrists and hanged himself in his studio in Montmartre. On the wall he left a message written in blood, to a former lover, Cecile (Lucy) Vidil Krohg. In his last will and testament, Pascin left his estate equally to his wife, Hermine David, and his mistress Lucy Krohg. On the day of Pascin’s funeral, June 7, 1930, thousands of acquaintances from the artistic community along with dozens of waiters and bartenders from the restaurants and saloons Pascin had frequented, all dressed in black, walked behind his coffin the three miles from his studio at 36 boulevard de Clichy to the Cimetière de Saint-Ouen. [26509-1-600]

 

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